[Edward Steichen] 시대를 초월한 역사적으로 위대한 사진가, 에드워드 스타이켄 Edward Steichen (1879-1973)

[Edward Steichen] 에드워드 스타이켄 (1879-1973)

스타이켄은 룩셈부르크계 미국인 사진작가, 화가, 큐레이터로 패션 사진의 선구자 중 한 명입니다. 
그는 패션 사진의 선구자로, 1911년 잡지 'Art et Décoration'에 실린 그의 가운 이미지는 출판된 최초의 현대 패션 사진이었습니다.
알프레드 스티글리츠(Alfred Stieglitz)와 함께 '포토 세션(Photo-Secession)' 운동을 공동 창립했으며, 뉴욕 5번가 291번지에 갤러리를 함께 열었습니다.
사진을 예술의 한 형태로 인정받게 하는 데 중요한 역할을 했습니다.
뉴욕 현대 미술관(MoMA) 사진부 단장을 역임하며 '인간 가족(The Family of Man)'이라는 역사적인 사진전을 기획했습니다.
그는 회화주의 사진(토리얼리즘)의 대가로 알려져 있으며, 사진을 하나의 언어로 인식하고 세계대전을 겪은 사람들에게 희망을 주고자 했습니다.

레이스 무늬를 이중 노출하여 스완슨의 얼굴과 통합시킨 독특한 스타일로 유명합니다.

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[Edward Steichen] 시대를 초월한 역사적으로 위대한 사진가, 에드워드 스타이켄 Edward Steichen (1879-1973)
다담음의 사진과 미술 Art and Photo

시대를 초월한 역사적으로 위대한 사진가, 에드워드 스타이켄의 작품소개 Edward Steichen (1879-1973)


https://youtu.be/bxsGgL8kco8

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세계적인 사진가 18-에드워드 스타이켄(Edward Steichen)의 사진세계
진동선사진TV

에드워드 스타이켄(Edward Steichen)은 사진작가, 패션 및 광고사진가, 미군 사진단장, 전시기획자 등 화려한 이력을 가진, 모든 부분에서 성공한  20세기 유일한 인물로 평가됩니다. 어느 하나 간과할 수 없는 20세기 사진사에 절대적 역할을 담당한 위대한 인물이었습니다. 대표적으로, 20세기 초반 알프레드 스티글리츠를 도와서 미국현대사진의 기초를 세운 일, 뉴욕현대미술관(MoMA) 사진 수장이 된일, 1955년 역사상 전무후무한 "인간가족전"을 기획한 일, 최초의 광고사진가로 성공한 일 등등 사진의 모든 면에서 성공했던 유일한 인물이었습니다. 그의 파란만장한 사진 인생을 조망합니다.


https://youtu.be/vZPTAbVuxxE

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Edward Steichen: Capturing the Essential Moment
BellisVintage

From 1923 to 1938, Edward Steichen was a photographer for the Condé Nast magazines: Vogue and Vanity Fair. Photographing literary and screen stars during this period he captured what he called the "Essential Moment" in his work, the essence of those sitting for his portrait photography. His images are beautiful and inspiring showing a world of elegance and charm which has been immortalised in his work.
 
The background music is Exactly Like You by Jimmy Rushing & One O'Clock Jump by Count Basie. The interview is from the Masters of Photography series filmed in 1963 (for full video watch -    • 동영상  ).

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  / belliselegance

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http://bellisvintage.tumblr.com/archive
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The Three Graces - Elegance, Beauty and Style. My Philosophy for a sublime way of living. My aim - to bring a touch of old world class and glamour to the everyday.
"Having taste - it's not half the battle - it's the whole war"

"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use."
I do not own the rights to this movie excerpt, I am using the clip for critique and comment in a non-profit manner.


https://youtu.be/xaH8aJbbw0U

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"Master Of The Camera" 1930s Photographer Edward Steichen Biographical Film Xd86765

“ MASTER OF THE CAMERA ” 1930s PHOTOGRAPHER EDWARD STEICHEN BIOGRAPHICAL FILM XD86765
PeriscopeFilm

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Visit our website www.PeriscopeFilm.com

Pictorial films (:13) presents "Master of the Camera" -- a vintage film from the 1940s on one of the most prolific figures in the history of photography, Edward Steichen. Steichen was born in Luxembourg and later became a naturalized US citizen in 1900. He was attributed with turning photography into an art form. His work was featured in the notable magazine ‘Camera Work’ more often than others in his field during its entire publication. Steichen also served as the chief photographer for Conde Nast magazines Vogue and Vanity Fair from 1923 to 1938. From 1947 to 1961, Steichen served as Director of the Department of Photography at New York's Museum of Modern Art. While there, he curated and assembled exhibits including The Family of Man, which was seen by nine million people.

The film is narrated by a prominent British narrator, Hal Baumstone (:23) active from the 1930’s through the 1960’s. Steichen first appears smoking a cigar, reading a paper and talking on a telephone at (:39). Images follow of Steichen’s portrait studio in New York (:51). His name is etched in stone outside the building (:54). Edward and electricians move camera and lighting equipment within the large workshop (1:00). A woman in an elegant evening gown sways for the photographer (1:18) as he chews on a tobacco cigar (1:21). The dancer works to demonstrate what Steichen wanted from her as a model (1:37). Lights are adjusted (1:46) in a final touch up prior to the shoot. His model lifts her skirt, toeing up the steps onto the stage (2:05). An electric ocelot fan lifts the white gown creating the illusion of motion for the image (2:17). She sways as the group works to captures the images in the photographer’s mind (2:47). Edward takes a look into the ground glass of his lens (2:54) on the large portrait camera. He throws the hood over his head (2:57). He changes the shutter plate (3:26). Film is inserted and removed rapidly (3:33). The trim blonde model takes a smoke break (3:45). Edward takes the butt and throws it to the ground (3:49) as the new set is ready. A white veil blows against her form (4:36). Edward trips over cords at his feet (4:48). He moves back under the hood (5:17). Steichen examines the shots which he will sell for commercial profit (5:41). Lighting is again adjusted (6:00). The model reappears in a dark and heavy dress (6:06). She bends her body to the camera man’s direction (6:23). Negatives pulled are examined (6:44) to capture the perfect image displaying the diligence of the artist. Edward was also a painter and horticulturist (7:10). Prior to 1902 he was already an established painter (7:23). The model bends again within the studio at 291 Fifth Avenue (7:38). This became the headquarters for the photo-secession movement known as 291.  Many questioned whether or not photography was art during this time period; though Steichen and his work would prove it to be. He flicks through captured images (8:49). The mounted photographs follow (9:01) as the film concludes.

Motion picture films don't last forever; many have already been lost or destroyed. For almost two decades, we've worked to collect, scan and preserve the world as it was captured on 35mm, 16mm and 8mm movies -- including home movies, industrial films, and other non-fiction. If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below.

This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com


https://youtu.be/3jIVwqNmePc

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